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LIVRAISON GRATUITE AU CANADA DÈS 125$ avec le code LIVRAISONGRATUITE | LIVRAISON GRATUITE AU QUÉBEC DÈS 85 $ avec le code LIVRAISONQC (colis régulier, vente au détail, certaines conditions s’appliquent). Livraison à Montréal pour 10 $. Ramassage gratuit au 470, Av. Duluth Est.
ISBN : 9780714856537 Format : 29 × 25 cm Finition : Couverture souple 200 pages
Langue anglaise
«James Meyer is a writer and art historian who has been teaching contemporary art and critical theory at Emory University, Atlanta, since 1994. He is a noted specialist and lecturer in Minimalism, as well as other forms of American art of the 1960s, and contemporary forms of institutional critique.
Meyer has written extensively on Minimal artists. Publications include Minimalism: Art and Polemics in the 1960s (Yale, 2001); he has contributed essays to Mel Bochner: Thought Made Visible 1966–1973(Yale, 1995); Ellsworth Kelly: Sculpture for a Large Wall, 1957 (Matthew Marks Gallery, 1998); Eva Hesse: A Retrospective, ed. Elisabeth Sussman (San Francisco Museum of Modern Art, 2002); Conceptual Art: Theory, Myth, Practice (Cambridge, 2004) and A Minimal Future (Museum of Contemporary Art, Los Angeles, 2004). He is the editor of Carl André, Cuts=Texts, 1999–2004 (MIT Press, 2005) and has contributed to journals Artforum, Art Magazine, Flash Art and Parkett.»
