PITCHER - BLUE — by Fusion f.
$93.00

Designer:  Fusion f.
Material: Glass
Care Instructions: Do not put in the dishwasher
Dimensions: 23 x 9 cm (9 x 3,5 inch)
Provenance: Designed and crafted in Sainte-Thérèse, Québec

The MESURE 0.1 collection lies at the intersection of functionality and sculptural expression. Inspired by modern architectural forms, it questions the boundary between utility and art. The pieces, designed to be stackable and versatile, invite experimentation with shapes and colors and are above all playful. Each element, entirely handcrafted, reflects a contemporary artisanal approach at the intersection of fine arts and industrial design. A special mention is given to the fact that no piece is left behind: each one is valued, given a second life while adhering to rigorous quality standards.

About the designers:
Diane Champagnat-Becker, a graduate of Espace Verre (2018), has enriched her career with training in France and experience in renowned workshops such as Baccarat, Meisenthal, Studio Pust (Denmark), and Tobias Møhl. Winner of the FUSION scholarships (2018, 2020), she sits on the committee of the Livart gallery in Montreal.

Nicolas Forlini, a graduate of Espace Verre (2019), worked as a technician and assistant to glass artists before joining the Babajaga workshop. A teacher of glassblowing, he received FUSION scholarships (2019, 2021).

About the designers:
They view their work and objects as a silent revolution against the dominance of large-scale industries. Working with glass means embracing a slower temporality, one that contrasts with the accelerated pace of mass production. Their creations merge precise craftsmanship with spontaneous gestures, maintaining a continuous dialogue between hand and material, between constraint and freedom.

Their approach is rooted in a deep respect for materials and processes. They reintegrate waste not merely as a gesture of recycling, but as a way to question the hierarchies between what is considered noble and what is seen as obsolete. The tool, the mold, the material, and the trace all contribute to shaping their objects and granting them a singular presence.

They advocate for production on a human scale, where each piece is meant to be lived with, handled, and passed on. Situated between tableware and sculpture, between series and unique pieces, their work explores the intersections of craft and design, of structure and spontaneity.

Their commitment is also collective. They evolve within a network of creators where transmission and collaboration are central to their practice. Exhibiting, sharing, and teaching are natural extensions of their creative process.

Their objects do not impose; they question. They invite a reconsideration of material and time, aiming to redefine how we produce and inhabit the spaces around us.

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